This is a 3-stage firing project I started several days ago. The diameter of the 96 COE dichro center is 13" and the clear 96 COE base is 17.5". The dichro is purposely cut so that the center eye is still in the middle of the clear base, with the surrounding dichro closer to the edge of the clear in one place than in another. I had previously slumped 96 COE colored rods over "squiggle" forms. Some are clear and some are opaque.
The first stage was to fuse the 13" dichro to the 17.5" clear at 1460 df in 5 ramps. After cooling that fuse, I tack fused the squiggles to the dichro and clear glass at 1265 df in 4 ramps. There are now three layers of glass to slump in the bowl form. This was done at 1265 df in 5 ramps. The bowl is 1.75" deep. Creating contemporary art is fun!
How I create things in my kiln, and what eventually happens to what I create...
Glass goes in the kiln, and glass comes out, quite altered! Sometimes it works, sometimes it doesn't. That's what happens in life.
Monday, April 2, 2012
Wednesday, March 28, 2012
More Red Nebula bowl pictures
After "sleeping on it" I think I am beginning to like this piece of glass. I may still let the supplier know about the color changes which occurred during firing.
The brilliant aqua streak in the lower left corner is one of the surprises one sees in dichroic glass. Move the glass in another direction, or show it in another light and the aqua streak appears white.
The aqua streak is gone, and there is a lemon yellow reflection I didn't see in the base glass prior to firing.
The brilliant aqua streak in the lower left corner is one of the surprises one sees in dichroic glass. Move the glass in another direction, or show it in another light and the aqua streak appears white.
The aqua streak is gone, and there is a lemon yellow reflection I didn't see in the base glass prior to firing.
Tuesday, March 27, 2012
Two new bowls
| Close up showing frit design |
| Red Nebula bowl |
Sunday, February 26, 2012
Update on "One of those days"
Did you ever have one of those days when a lot of things don't go right? Today was one of those days.
Gorgeous 10.5" diameter pink glass circle fused with dichroic bits, fused onto clear 10.5" diameter circle for strength, then slumped in a ring mold in order to tack fuse to another, opposing 6" diameter white wispy circle which was also fused with a 6" diameter circle of clear for strength.
Hah! That makes nearly .5" of thickness at the base when it all melts together. Not only did the slump go awry (still haven't figured out why) but the ring mold is in it's full, upright position--neither sliding off up or down.
In this pic you can see the dichroic pieces trekking along a swirl of white in the pink glass. You can also see the enormous cracks caused by .5" of base glass not cooling as fast as .25" of pink glass.
At any rate, this pic reminds me of looking at a colonoscopy, or a child's potty, or a chamber pot gone seriously wrong. 2-26-12
2-27-12
Today I finally figured out what went wrong: the pink glass I used was not rated for fusing or slumping unless used alone. Dear me! Will I ever learn to keep my fusible glass separate from my regular stained glass? Will I ever manage to keep separate my 96 COE from my 90 COE? Will Ken and Barbie ever age? Tune in tomorrow for another installment of "As the Glass Melts."
Gorgeous 10.5" diameter pink glass circle fused with dichroic bits, fused onto clear 10.5" diameter circle for strength, then slumped in a ring mold in order to tack fuse to another, opposing 6" diameter white wispy circle which was also fused with a 6" diameter circle of clear for strength.
Hah! That makes nearly .5" of thickness at the base when it all melts together. Not only did the slump go awry (still haven't figured out why) but the ring mold is in it's full, upright position--neither sliding off up or down.
In this pic you can see the dichroic pieces trekking along a swirl of white in the pink glass. You can also see the enormous cracks caused by .5" of base glass not cooling as fast as .25" of pink glass.
At any rate, this pic reminds me of looking at a colonoscopy, or a child's potty, or a chamber pot gone seriously wrong. 2-26-12
2-27-12
Today I finally figured out what went wrong: the pink glass I used was not rated for fusing or slumping unless used alone. Dear me! Will I ever learn to keep my fusible glass separate from my regular stained glass? Will I ever manage to keep separate my 96 COE from my 90 COE? Will Ken and Barbie ever age? Tune in tomorrow for another installment of "As the Glass Melts."
Saturday, January 7, 2012
Look at this glass!
I bought this huge 19" diameter round piece of dichroic glass with the idea of slumping it into a huge bowl. The mold I wanted has been discontinued. "If I have to cut this up to fit something smaller, why not get some design ideas from my friends?" I thought. So, I'm opening this up to a group design. Anyone who wants to join in can be part of the process. Ultimately I want to design a line of celestial bodies in plates and bowls, vases and drop ring molds.
Here is the glass:
The center "eye" measures approximately 2" from the outside bluish part. The darker center is 1 3/8". It will have to be fused onto clear to strengthen it since the dichro is thin. We can add other colors into the mix, add clear dichroic beads in wispy strands, put iridescent black glass in between sections.
Here is the glass:
The center "eye" measures approximately 2" from the outside bluish part. The darker center is 1 3/8". It will have to be fused onto clear to strengthen it since the dichro is thin. We can add other colors into the mix, add clear dichroic beads in wispy strands, put iridescent black glass in between sections.
Friday, January 6, 2012
Not glass this time
Today I watched a video on wire wrapping, a skill I needed to improve when making jewelry. I got a lot out of it.
Here are some pictures of a necklace I made using a matte polished agate piece wrapped in sterling half hard round wire, strung on thin, stiff drape sterling wire, which I then attached to a sterling "wiggle wire" collar. I used small sterling paddle eye pins for extra visual interest and wrapped the loops together with thin gold wire.

My mom painted the oil painting I used for the backdrop. She was such a good artist!
I think this looks very Victorian.
Here are some pictures of a necklace I made using a matte polished agate piece wrapped in sterling half hard round wire, strung on thin, stiff drape sterling wire, which I then attached to a sterling "wiggle wire" collar. I used small sterling paddle eye pins for extra visual interest and wrapped the loops together with thin gold wire.

My mom painted the oil painting I used for the backdrop. She was such a good artist!
I think this looks very Victorian.
Sunday, December 11, 2011
Vodka bottle
Phil and I went to a major liquor store today and asked if they had any empty wine bottles. They gave us a case of empties. (Why would a liquor store have empty wine bottles???) On the way out of the store I spied a beautiful cobalt blue bottle of vodka and bought it--for the bottle. Since we don't drink vodka, at our request the store clerk poured the vodka into an empty water jug. I think I now understand why there were empty wine bottles at the liquor store.
Below are some of the wine bottles I've slumped. I painted snowflakes on a couple of them.
Below are some of the wine bottles I've slumped. I painted snowflakes on a couple of them.
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