How I create things in my kiln, and what eventually happens to what I create...

Glass goes in the kiln, and glass comes out, quite altered! Sometimes it works, sometimes it doesn't. That's what happens in life.

Monday, August 6, 2012

Baptismal bowl

Baptismal bowl with hand painted doves on clear glass, fired on royal blue dichroic glass underneath. Bubbles formed between the clear painted cap and the dichroic glass, giving the bowl depth and texture. The bowl is 17" in diameter and is 1.75" deep. Given to Rev. Steve Petty.

Sunday, July 22, 2012

Fused bowls




15.5" diameter emerald green dichroic glass bowl with clear dichroic frit and red and blue frit.  Depth is 1.75".  Food safe.


Emerald green dichroic bowl showing depth.
Hand painted Celtic tree of life on teal/emerald dichroic glass, capped with clear.  Food safe.  17.5", 1.75" deep.  Here you see the emerald color.


Here you see the teal color!
 9.5" fish dish for a child's room.  Fish are made from different color frit, fused in a hand cut mold, then tack fired onto a fused Bullseye streamer piece backed with clear.   Food safe.




17.5" reptillian pattern dichroic bowl fused with glass beads and capped with clear glass.  Depth is 1.75".  Food safe.


My favorite contemporary piece!  17" squiggle bowl with "voltage" dichroic glass offset in the center.  The "squiggles" are glass rods slumped over forms in the kiln, then tack fused onto the fused voltage on clear base.  Not food safe.



Odd shaped 18.5" x 14" x 1.75" bowl.  Not food safe, more like a sculpture.  You can see the brilliant turquoise reflections in the dichroic glass. This glass is on a clear background, so light reflected through the bowl shines onto the surface below.



Wednesday, July 11, 2012

 Celtic "Tree of Life" bowl made from 18" round dichroic glass with hand painted clear glass cap.  Fused at 1465 degrees Fahrenheit, then slumped at 1225 degrees Fahrenheit into a 17.5" mold. The dichro is teal green when viewed in one light, and a light cobalt blue when viewed in another.
The bowl is sitting on top of a pair of welding gloves. These are big leather gloves I use to take hot (but not too hot) glass from the kiln.

Wednesday, April 11, 2012

Not your daughter's home made pot holder

 I call this sculpture "Open Weave." It is on a 10" x 10" flat piece of black glass backed with clear. The "squiggles" were slumped about a week ago.  They stuck to the rods on which they were slumped, and broke off in different lengths. 







Boy was I mad. I broke all but one of the rods trying to get the glass to part company. That is what I get for trusting Boron Nitride mold release spray to last more than one firing. It didn't. The glass I had left from that slump I wove (literally) together and came up with this.








Another bunch of broken stuff put to good use. The 
squiggles are tack fired onto the fused black and clear glass.

Monday, April 2, 2012

A new direction--Contemporary!

This is a 3-stage firing project I started several days ago. The diameter of the 96 COE dichro center is 13" and the clear 96 COE base is 17.5". The dichro is purposely cut so that the center eye is still in the middle of the clear base, with the surrounding dichro closer to the edge of the clear in  one place than in another. I had previously slumped 96 COE colored rods over "squiggle" forms. Some are clear and some are opaque.
The first stage was to fuse the 13" dichro to the 17.5" clear at 1460 df in 5 ramps. After cooling that fuse, I tack fused the squiggles to the dichro and clear glass at 1265 df in 4 ramps. There are now three layers of glass to slump in the bowl form. This was done at 1265 df in 5 ramps. The bowl is 1.75" deep. Creating contemporary art is fun!

Wednesday, March 28, 2012

More Red Nebula bowl pictures

After "sleeping on it" I think I am beginning to like this piece of glass. I may still let the supplier know about the color changes which occurred during firing.
 The brilliant aqua streak in the lower left corner is one of the surprises one sees in dichroic glass. Move the glass in another direction, or show it in another light and the aqua streak appears white.
The aqua streak is gone, and there is a lemon yellow reflection I didn't see in the base glass prior to firing.

Tuesday, March 27, 2012

Two new bowls

Close up showing frit design
Red Nebula bowl
In the past few weeks I made two bowls and have learned what happens to the base dichroic glass when fired at full fuse temps of 1430 to 1460 df. The Red Nebula bowl is fused out of a piece of what I believed was brilliant red "Pixie Stix Godiva" COE 96 glass. It arrived cut in an oval shape with two flat long sides, not round as pictured on the seller's website. When I first viewed it online the pixie stix that tracked all over the glass were obvious, and the aqua, gold, brilliant green and red reflections were spectacular. Cutting it into a shape that still reminded me of a nebula, yet retained a balance of the brilliant colors was a challenge.  Alas, to no avail. After firing the glass on a backing of clear 96 COE, I was extremely disappointed to find that the base dichroic colors had faded to a cocoa color unless a bright light was shone on it. However, I am happy that the slump went well, and the curvature of the bowl is nice. The bumpiness of the frit and small bubbles add texture and depth when viewed in person. Dimensions are 17.25" x 14.25" x 1.75".

I call this one the wedding bowl. I made it for my daughter, Margaret and her new husband, Michael, who recently married. The base glass is nearly a full 18" round sheet of 96 COE thin "Reptilian" on black (from the same seller). I fused the dichro to a base glass of 96 COE clear at 1450 df, sprinkled with clear backed dichro frit to follow the network of design on the base glass. The bowl is 15.5" across and 1.75" deep. The picture, above and right, shows the dichroic frit glowing against the darker background.  I think I like the black background dichroic base glass better than the white background of the red bowl. The colors stand out better.